| EDUCATION | |
| 1985 | BFA Rhode Island School of Design, Providence, RI |
| AWARDS | |
| 1996-97 | National Endowment for the Arts, Visual Arts Fellowship |
| 1995-96 | Marie Walsh Sharpe Foundation, The Space Program Residency |
| SELECTED EXHIBITIONS | |
| 2018-19 | Earth Eye: Works on Paper, Platform Project Space, Brooklyn, NY |
| 2016 | Project Room, Kabinett & Kammer, Andes, NY |
| 2016 | The Persistent Nature of Urgency: Works on Paper, curated by Jeff Quinn and Lowell Boyers, New York, NY |
| 2014 | Enticing Luminosity, Lesley Heller Workspace, curated by Olive Ayhens, New York, NY |
| 2013 | Unhinged, Pierogi Gallery, Brooklyn, NY |
| 2011 | Williamsburg 2000, curated by Larry Walczak, Art101, Brooklyn, NY |
| 2003 | Drawing into Painting: Nancy Diamond, Trenton Doyle Hancock, Al Taylor, Galerie Charles Schumann Gallery, Munich, Germany |
| 2002 | Artists to Artists, ACE Gallery, Space Program Artists, NYC |
| 2001 | Humanoid, Frederieke Taylor Gallery, NYC |
| Figstract Explosionism, Curated by Tom Burckhardt, Bridgewater, Lustberg, Blumenfeld, NYC | |
| Humanoid, DiverseWorks, Houston,TX | |
| 2000 | Collector’s Choice, Selected by Richard Ekstract, Exit Art/The First World, NYC |
| Selections, Eyewash, Brooklyn, NY | |
| Abstract Paintings on Paper, Jay Grimm Gallery, NYC | |
| 1999 | Natural Origins, Pace University Gallery, Pleasantville, NYC |
| Packing a Punch, Eyewash, Brooklyn, NY | |
| Humanoid, The Vedanta Gallery, Chicago, IL | |
| 1998 | Humanoid, Genovese/Sullivan Gallery, Boston, MA |
| 1997 | The Press of My Foot Springs a Hundred Affections, Curated by Byron Kim, The Rotunda Gallery, Brooklyn, NY |
| The Art Exchange Show, NYC | |
| Suture, Curated by Annie Herron, The Rotunda Gallery, Brooklyn, NY |
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| 1996 | Nancy Diamond, Project Room, Black & Herron Space, NYC |
| The Art Exchange Show, NYC | |
| Birds and Bees, Esso Gallery, NYC | |
| Pet Paintings, Bernard Toale Gallery, Boston, MA | |
| 1994 | Biennial Exhibition, Parrish Museum, Southampton, NY |
| SELECTED BIBLIOGRAPHY | |
| 2001 | “Figstract Explosionism,” The New Yorker, February 19-26 |
| 2000 | Karen Wilkin, “At the Galleries,” Partisan Review, March |
| N.F. Karlins, “Drawing Notebook,” artnet.com, February/March | |
| 1998 | Matt Murphy, “The Humanoid,” Arts Media, Boston, March |
| 1997 | “Suture” Brooklyn Daily Eagle, September 12 |
| “The Press of My Foot to the Earth Springs a Hundred Affections” Brooklyn Daily Eagle, September | |
| “Exhibit of Landscapes By Six Local Painters,” Newsday, October 12 | |
| Frances Chapman, “Suture” Waterfront Week, Volume 7.2 | |
| 1996 | 1996 NEA, MAAF Fellows, Artslink, Volume 7, no. 3 |
| “Short List” The New Yorker, March 25 | |
| “Short List” The New Yorker, April 1 | |
| 1994 | Phyllis Braff “Parrish Biennial” New York Times, April 24 |
| BOOKS AND CATALOGUES | |
| 2008 | Fritz Drury, Joanne Stryker, “Drawing: Structure and Vision,” Prentice Hall |
| 2002 | “Artists to Artists; A Decade of The Space Program,” The Marie Walsh Sharpe Art Foundation, Colorado Springs, CO |